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Notables 2010: Henrik Rehr’s Reykjavik

In Henrik Rehr’s book-length abstract comic you can detect traces of brush and pen lines and conventional marks—such as cross-hatching and drybrush—that are associated with representative art, but there is no clear narrative to be found. Instead, Rehr’s pages take us on a voyage of constantly mutating layouts where even the rectangular panels are skewed, overlapped with other panels, or almost overwhelmed by stormy, heaving backgrounds.

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