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Notables 2010: Jonathan Vankin and Seth Fisher’s Tokyo Days

What makes this story really stand out, though, is the art. I’ve never seen anything quite like it. Hyper-detailed scenes of Japanese streets in cotton-candy tones are grounded (slightly) by the skill with which Fisher (the artist) executes perspective and figure work. Dorky, nose-less people nonetheless have real weight and individuality. You never confuse one character for another although there may be dozens (seemingly) in each panel. It’s just a cornucopia of stuff to look at, and it’s quite clear that Fisher knew well and loved Tokyo.

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