Our editor on Drawing Words & Writing Pictures is the multi-talented Mark Siegel. He’s the creator of Sailor Twain, and often posts interesting observations on art and craft. A few months back he posted a couple of times on the art of Chinese calligraphy, and as Matt and I were recently thinking about sumi ink Read More
At a recent conference at the University of Iowa, I drew a six-panel comic in front of six 25-minute sessions of middle- and high-school kids, one panel at a time. It was a chance to talk naturally about the order of work, the materials needed, and to show all the behind-the-scenes action.
Ludovic Debeurme doesn’t have a script or an idea of the full storyline before he starts to work on a book. Rather, he starts with visuals and characters and allows for digressions.This way of work helps him to make connections that he otherwise wouldn’t have made.
Hilary Allison came in one day beaming because she’d cracked the Nib-Holding Industrial Complex’s iron grip on her student budget, and I encouraged her to throw a post together about it for you, dear readers. This is what she came up with.
One of the most frustrating things about comics is the incredible slowness with which they are produced, as compared to the swiftness with which they are read. So for quite a while, Matt and I have been admiring (and envious) of those who can draw comics quickly directly in ink, skipping the laborious penciling process, and in some cases even skipping thumbnailing!
Nick Bertozzi is an amazingly talented and prolific cartoonist, a teacher, and a good friend. I was thrilled when I saw this post about the process he used to make his new book Lewis & Clark over at the First Second blog, and asked if we could repost it here. If you’re in NYC, come celebrate the book release with Nick at Bergen Street Comics on Friday, Feb 25. Matt and I will be there, too!
Savvy comics artists have been using Deleter brand graphic white to correct their art for years. Despite the name, it’s a Japanese brand, very high density, easy to use, good coverage. Finding a good graphic white is tough: when you find a good one, you really feel some loyalty. Deleter has earned ours.
Hothouse student Lisa Anchin worked intensely this summer toward mastering the language of comics and visual clarity. The first run through of her thumbs felt slow and confusing, but Lisa showed total commitment to revision, as tough as it can be, and remade her story until it’s clear, compelling, downright exciting ride. I can’t wait to see what happens next!
Hilary is an undergrad at SVA in cartooning, entering her third year. She’s incredibly energetic and involved in her learning process any time of the year, but something clicked in her brain this summer, and Hilary committed herself to her work with an intensity I rarely see.
