The holidays are coming! And we have a great gift idea for you: a beginning cartoonist’s starter kit! To get your special person started in comics, just use our checklist to buy him or her the basic tools of the trade.
Every year, we get requests from teachers wanting to know what will be in the new Best American Comics before it comes out, so as to plan their classes. Herewith, therefore, is the table of contents of the next Best American Comics, edited by Jeff Smith, and with a fantastic cover by Kate Beaton, and out in September of this year.
In the fall of 2011 we did a comics reading series at the Brooklyn Public Library. The third book we read and discussed was Lucille by Ludovic Debeurme. Here is a slightly edited transcript of our discussion that Sunday afternoon.
Now that your students are approaching the final version of their Gag Cartoon, it’s time for some more drawing lessons. Nothing terribly complex, but these simple concepts can make all the difference in the work of a neophyte cartoonist, both in visual appeal and readability.
Seeing how many cartoonists were injured inspired Kriota to try her hand at cartooning. The result is a fat little tome that should have a place on every cartoonist’s shelf, (NO) PAIN! The mega-mini comic.
Early in Mastering Comics, Jessica Abel and Matt Madden discuss ‘the Horror of the Blank Page’ (Chapter 2). Every artist who has ever put pen to paper has felt it, and likely some of your students will be feeling it now.
This is one of several features we had to drop from Mastering Comics for length, and will be posting here. For more like this, and better, check out the book! (For another sample of the kind of stuff that we just couldn’t shoehorn into our giant book, check out our guide to laying out bleeds.) Read More
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